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follow on tumblr rss feed archive home teh tumbler fo deadmanjones flickr google+ lastfm twitter vimeo youtube librarything photosphere blogger boardgamegeek search posts recent tweets @deadmanjones posts i like photo via wealldraw do you ever just photo via wealldraw video via bookoisseur haimtheblog : haimtheblog : video via bookoisseur photo via sirfrogsworth the gay agenda™ rears its head once again. photo via sirfrogsworth post via bookoisseur i-have-no-gender-only-rage : have some balloon animals here is the artist’s twitter post via bookoisseur photoset via bevismusson acoustickub : photoset via bevismusson wealldraw : do you ever just oct 9, 2018 7:13 pm 129,335 notes bluedot 2018 on flickr. https://flic.kr/s/ahsmpv6wv8 jul 23, 2018 7:01 pm 0 notes bluedot blue dot bluedotfestival jodrell bank mar 23, 2018 4:47 pm 1 note weeping tree angel on flickr. weeping tree angel dec 17, 2017 12:25 pm 1 note snow jedi on flickr. snow jedi dec 17, 2017 12:03 pm 0 notes so @jonathschofield has begun tours of @mayfieldmcr; recommended as always. on flickr. so @jonathschofield has begun tours of @mayfieldmcr; recommended as always. dec 2, 2017 8:02 am 0 notes bevismusson : alucards-fine-ass : slender-yellow-labyrinth : vorked : remissabyss : smightymcsmighterton : bigbutterandeggman : teachingwithcoffee : it’s time to bring an end to the rape anthem masquerading as christmas carol hi there! former english nerd/teacher here. also a big fan of jazz of the 30s and 40s. so. here’s the thing. given a cursory glance and applying today’s worldview to the song, yes, you’re right, it absolutely * sounds* like a rape anthem. but! let’s look closer! “hey what’s in this drink” was a stock joke at the time, and the punchline was invariably that there’s actually pretty much nothing in the drink, not even a significant amount of alcohol. see, this woman is staying late, unchaperoned, at a dude’s house. in the 1940’s, that’s the kind of thing good girls aren’t supposed to do — and she wants people to think she’s a good girl. the woman in the song says outright, multiple times, that what other people will think of her staying is what she’s really concerned about: “the neighbors might think,” “my maiden aunt’s mind is vicious,” “there’s bound to be talk tomorrow.” but she’s having a really good time, and she wants to stay, and so she is excusing her uncharacteristically bold behavior (either to the guy or to herself) by blaming it on the drink — unaware that the drink is actually really weak, maybe not even alcoholic at all. that’s the joke. that is the standard joke that’s going on when a woman in media from the early-to-mid 20th century says “hey, what’s in this drink?” it is not a joke about how she’s drunk and about to be raped. it’s a joke about how she’s perfectly sober and about to have awesome consensual sex and use the drink for plausible deniability because she’s living in a society where women aren’t supposed to have sexual agency. basically, the song only makes sense in the context of a society in which women are expected to reject men’s advances whether they actually want to or not, and therefore it’s normal and expected for a lady’s gentleman companion to pressure her despite her protests, because he knows she would have to say that whether or not she meant it, and if she really wants to stay she won’t be able to justify doing so unless he offers her an excuse other than “i’m staying because i want to.” (that’s the main theme of the man’s lines in the song, suggesting excuses she can use when people ask later why she spent the night at his house: it was so cold out, there were no cabs available, he simply insisted because he was concerned about my safety in such awful weather, it was perfectly innocent and definitely not about sex at all!) in this particular case, he’s pretty clearly right, because the woman has a voice, and she’s using it to give all the culturally-understood signals that she actually does want to stay but can’t say so. she states explicitly that she’s resisting because she’s supposed to, not because she wants to: “i ought to say no no no…” she states explicitly that she’s just putting up a token resistance so she’ll be able to claim later that she did what’s expected of a decent woman in this situation: “at least i’m gonna say that i tried.” and at the end of the song they’re singing together, in harmony, because they’re both on the same page and they have been all along. so it’s not actually a song about rape - in fact it’s a song about a woman finding a way to exercise sexual agency in a patriarchal society designed to stop her from doing so. but it’s also, at the same time, one of the best illustrations of rape culture that pop culture has ever produced. it’s a song about a society where women aren’t allowed to say yes…which happens to mean it’s also a society where women don’t have a clear and unambiguous way to say no. originally posted by vh1 remember loves: context is everything. and personal opinion matters. if you still find this song to be a problem, that’s fine. but please don’t make it into something it’s not because it’s been stripped of cultural context. this is actually really interesting. i’ve never known a lot of the background to this song. i’ve always refused to hate this song because it never actually felt creepy to me and i feel like people assuming there was like, a roofie reference in a 1940’s christmas song is patently ridiculous so i’m glad to hear this confirmation of what i already felt. bringing this back again for another year reblogging again because, yes, i understand why people find the song so problematic but it’s also important to understand that the whole point of the song, the joke at the heart of it, is that the woman is in control, they’re both complicit in what’s going down and it’s the people who think they’re doing something wrong that are being laughed. nov 26, 2017 7:41 am matchingvnecks 197,638 notes whoop! brilliant, beautiful and funny stuff from @bevismusson . next time “name a hawaiian queen” comes up in a pub quiz, i’ll be all over it with lili'uokalani. nov 16, 2017 1:07 pm 5 notes fantasy island, ingoldmells on flickr. fantasy island, ingoldmells nov 11, 2017 5:58 pm 0 notes fantasy island, ingoldmells on flickr. fantasy island, ingoldmells nov 11, 2017 5:58 pm 0 notes rss feed previous page next page single a theme 1.4.2 by storyware :: get single a premium

URL analysis for deadmanjones.co.uk

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http://deadmanjones.tumblr.com/post/178900157500/wealldraw-do-you-ever-just
http://deadmanjones.tumblr.com/post/176209190585/bluedot-2018-on-flickr
http://deadmanjones.tumblr.com/post/168110734190/so-jonathschofield-has-begun-tours-of#tumblr_notes
http://deadmanjones.tumblr.com/post/168645990775/weeping-tree-angel-on-flickr-weeping-tree-angel#tumblr_notes
http://deadmanjones.tumblr.com/post/167902101470/bevismusson-alucards-fine-ass#tumblr_notes
http://deadmanjones.tumblr.com/post/167389227080/fantasy-island-ingoldmells-on-flickr-fantasy
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http://deadmanjones.tumblr.com/post/168645319740/snow-jedi-on-flickr-snow-jedi#tumblr_notes
http://deadmanjones.tumblr.com/post/168645319740/snow-jedi-on-flickr-snow-jedi
http://deadmanjones.tumblr.com/archive
http://deadmanjones.tumblr.com/tagged/jodrell-bank
http://deadmanjones.tumblr.com/post/167902101470/bevismusson-alucards-fine-ass
http://deadmanjones.tumblr.com/post/167389226610/fantasy-island-ingoldmells-on-flickr-fantasy#tumblr_notes
deadmanjones.blogspot.co.uk

Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain name:
deadmanjones.co.uk

Registrant:
Alan Jones

Registrant type:
UK Individual

Registrant's address:
The registrant is a non-trading individual who has opted to have their
address omitted from the WHOIS service.

Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

Registrar:
Easily Limited t/a easily.co.uk [Tag = WEBCONSULTANCY]
URL: http://www.easily.co.uk

Relevant dates:
Registered on: 09-Apr-2000
Expiry date: 09-Apr-2019
Last updated: 26-Mar-2014

Registration status:
Registered until expiry date.

Name servers:
dns0.easily.co.uk 185.83.100.31
dns1.easily.co.uk 185.83.102.32

WHOIS lookup made at 08:51:10 28-Oct-2017

--
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:

Copyright Nominet UK 1996 - 2017.

You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER co.uk.whois-servers.net

  ARGS deadmanjones.co.uk

  PORT 43

  TYPE domain

OWNER

  ORGANIZATION Alan Jones

TYPE
UK Individual

ADDRESS
The registrant is a non-trading individual who has opted to have their
address omitted from the WHOIS service.
Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

DOMAIN

  SPONSOR Easily Limited t/a easily.co.uk [Tag = WEBCONSULTANCY]

  CREATED 2000-04-09

  CHANGED 2014-03-26

STATUS
Registered until expiry date.

NSERVER

  DNS0.EASILY.CO.UK 185.83.100.31

  DNS1.EASILY.CO.UK 185.83.102.32

  NAME deadmanjones.co.uk

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2017.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REGISTERED yes

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